Pupi Avati
Pupi (Giuseppe) Avati was born in Bologna in 1938. After attending school and studying Political Science at the University of Florence, he started working at a frozen food company. At the same time, he developed a passion for jazz, becoming a proficient clarinetist. In the second half of the 1950s, he formed and played in the Doctor Dixie Jazz Band, of which Lucio Dalla was also a member.[3]
Although he initially intended to be a professional musician, Avati felt he lacked the necessary talent. In the mid-1960s, he decided to dedicate himself to cinema after seeing Federico Fellini's 8½ and its portrait of the role of a director.[4] Avati's passion for music, as well as his love for his hometown, which was the setting of many of his films, were to become recurrent themes found in his productions.
Although he initially intended to be a professional musician, Avati felt he lacked the necessary talent. In the mid-1960s, he decided to dedicate himself to cinema after seeing Federico Fellini's 8½ and its portrait of the role of a director.[4] Avati's passion for music, as well as his love for his hometown, which was the setting of many of his films, were to become recurrent themes found in his productions.
Known For
23 titles
Domenica In
Paolo Conte, Come Away with Me
Welcome Mr. President!
Pietro Germi - The Good, The Beautiful and The Bad
Noi c'eravamo
Portrait Of My Father
La nostra magnifica ossessione - Bernardo Bertolucci e la sua generazione
C'era una volta il prossimamente
La voglia matta di vivere
Gian Luigi Rondi - Vita, cinema, passione
Biasanòt
Bava Puzzle
Italy Possessed: A Brief History of Exorcist Rip-Offs
Executioners, Masks, Secrets: Italian Horror in the Sixties
La Piazza che verrà, Bologna e il Cinema
27 aprile Racconto di un evento
The Day of the Two Holy Popes
Souvenir d'Italie
Painted Screams
Alberto Sordi Secret
L'incanto
Vorrei sparire senza morire
Pupi Avati: Questa sera vi porto al cinema