Chantal Akerman
Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975).
Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard.
Many directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.
Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard.
Many directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.
Known For
50 titles
Son chant
No Home Movie
La chambre
The Beloved Child, or I Play at Being a Married Woman
Autour de Jeanne Dielman
Letter from a Filmmaker: Chantal Akerman
Tell Me
Mallet-Stevens Street
Chantal Akerman by Chantal Akerman
Portrait of a Lazy Woman
Maniac Summer
In Her Own Words
Chantal Akerman: Always on the Road
From the Other Side
Examen d'entrée INSAS
Chantal Akerman: An Interview
But Elsewhere Is Always Better
Autour de La Folie Almayer
Chantal Akerman, From Here
My Mother Laughs Prelude
Interview with Babette Mangolte
Interview with my mother, Natalia Akerman
Knokke: une petite fiction 2
The Day When...
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